The Last Breath: Death & Contemporary Art

Maternal Mitochondria will be showing new work at this show with Womenswork.art in Poughkeepsie. It is a vulnerable series, where I photographed my mother in a New Mexican slot canyon (a la Laura Aguilar) after her cancer diagnosis.

Interview With My Mother 3

Art & Activism

Maternal Mitochondria will have a piece in the show “Art & Activism” with Axle Contemporary in Santa Fe.

OPENING: in Railyard Shade Structure by Farmers Market, Santa Fe, NM July 5 5pm-7pm. Exhibition continues through August 18.

Responding to the prompt “Rage,” Maternal Mitochondria took posts and tweets from the internet which inspired a pure and visceral rage in the artists. These quotes have been rearranged and placed in the context of female personifications of death. The three incarnations aren’t exactly vengeful Furies, but are related. Visually they are threatening, and even protective. They are also a reminder about how no life is exempt from death, not even patriarchal or woman-hating dominance can supersede death. It is the great leveler of humanity. Taken in context with the text, Mictecacihuatl, Santa Muerte, and Death in Her Cart seem to express rage but also the power of nature, which is often identified as female. 
 
From left to right: Mictecacihuatl, Aztecan Goddess of the dead, Santa Muerte in Mexico, and Death in Her Cart from New Mexico (both are considered to be depictions of Doña Sebastiana).
 
 
 
 

Pollux Awardee

Maternal Mitochondria’s project “Original Face: In the Water” is a part of the 19th Edition of the Pollux Awards, which will be followed by a show at FotoNostrum’s gallery in December of 2023. All of the winners in various categories can be found here. Look for us in Non-Professional: Nude and Figure!

“Original Face” is a long-term photography project documenting the female members of my family and placing them in collaged environments which speak to the sublime, the doors of life and death opening and closing, and the perspective of the hidden v the seen. When the male gaze is removed, what is left? Is this the female gaze, the gaze of the self-portrait? Who is the subject and who is the object. What does it mean to have a self, a no self, an existential void within an embodied subject.

This project was made in collaboration with my mother, the poet Miriam Sagan. We work together as “Maternal Mitochondria,” handing the camera back and forth, writing back and forth. Therefore the patriarchal hierarchy of artistic endeavor is broken, and the matrilineal line is strengthened. This is how we see ourselves and each other. This is how we see.

Woman Made Gallery

I will be in an upcoming show at Woman Made Gallery in Chicago! The 24th International Open runs from March 18th-April 22nd, and all of the work can be viewed online as well. Please contact the gallery for sale inquires.

Foto Forum Santa Fe Members’ Show!

Catch the annual Foto Forum Santa Fe Members’ Show! The opening reception will be Friday February 3rd, 5pm to 7pm. The show will be up until the end of March. For more information, visit Foto Forum’s website.

A small face peers out from between two legs in this black and white photograph. The dip of a navel, curve of the stomach, and v of a vulva are also visible.

Pecha Kucha Talk

Maternal Mitochondria presents “Seeing with Each Other’s Eyes,” as part of Vol. 15 of Creative Santa Fe’s Pecha Kucha Nights, “Perception.” Click on the link above to view the 6′ 40″ video, featuring visual art and spoken word poetry.