“The Gagosian states that the selected group of “paintings, sculptures, and photographs on view demonstrate how the female figure has been reimagined and reconfigured by modern and contemporary artists of diverse backgrounds and traditions,” however, it features only 5 female-identifying artists out of 28 artists total. Of these 28 artists, a majority are white. This leads to an exhibit that not only is lacking in a diversity of backgrounds and traditions, but one that is also blatantly ignoring the conjunctions between race and gender.
Unfortunately, the exhibit put on by the Gagosian is only too representative of past and current norms surrounding the viewpoints society platforms for creation and consumption surrounding the figural.
We wish to counter Bustes de Femmes and the other of 1000s of exhibits like it, by presenting the works of femxle and queer identifying artists whose skill in figural portraiture demonstrates a diverse array of contemporary visions, sensitivities, and/or ideals, that usurp or unconventionally assume the traditional utilization of the male and/or dominant gazes. The goal is to address institutionalized gender roles and gendered racial stereotypes, and the subsequent sexism and racism perpetuated by them. This is in order to facilitate the interrogation and examination of the traditional motives and depictions of gender and sex, while proposing new or uncommon narratives. These ideas will be addressed from queer and femxle perspectives that are traditionally unheard from, in order to reimagine and reconstruct traditional racialized and gendered power structures upon which these institutionalized spaces were built and thrive. This is in order to combat the unequal ratio of queer and femxle art and perspectives that are being showcased within the museum and art worlds via institutions.”
I’m very pleased to be a part of this upcoming show at Axle Contemporary in Santa Fe!
Feminist Art in the Trump Era
juried by Lucy R. Lippard
September 11 – November 3
Feminist Art in the Trump Era is an exhibition of works by 27 New Mexico based artists that explore various feminist realities and rants. Works chosen for this exhibition from an open call to New Mexico based artists resonate with the hopefully soon- to-be-extinct Trump era. The exhibition will take place on the occasion of the 100 year anniversary of the 19th Amendment to the US Constitution and the 10 year anniversary of the founding of the Axle Contemporary mobile artspace.
The second sculpture of the summer is completed! A companion piece to Scratch– TIAMAT, ancient Near Eastern goddess of primordial creation, goddess of where fresh water meets salt. Brought to you by the Maternal Mitochondria creative team.
“who invented the drawn outline 30,000 years ago
trees sketched by fire stand skeletal
you change your name as easily as I change my clothes
In the aspen forests of New Mexico, fire is necessary for survival. Without forest fires the aspen trees won’t flourish. They’re a link between life and destruction, change and death. Of course, with the ramping up of climate change, fires in the Southwest are also terrifying and will probably become more frequent due to water scarcity and a hotter climate.
With the addition of photography using the readymade of a woman’s body, ideas of inside/outside, the destructive and nurturing behavior of humans, and the container of “femaleness” are all issues being raised.
Since the world has changed pretty drastically since December, a few of my shows have been suspended. Others are extending their online presence. You can view the Women’s Works show in Illinois here, and On the Edge with Art League Rhode Island here. Support artists and stay safe!