The second sculpture of the summer is completed! A companion piece to Scratch– TIAMAT, ancient Near Eastern goddess of primordial creation, goddess of where fresh water meets salt. Brought to you by the Maternal Mitochondria creative team.
“who invented the drawn outline 30,000 years ago
trees sketched by fire stand skeletal
you change your name as easily as I change my clothes
Since the world has changed pretty drastically since December, a few of my shows have been suspended. Others are extending their online presence. You can view the Women’s Works show in Illinois here, and On the Edge with Art League Rhode Island here. Support artists and stay safe!
My “Original Face” photography series will be in 3 shows this spring: On the Edge with Art League Rhode Island, Eros and Thanatos with Buckham Gallery in Flint, MI, and Women’s Works at the Old Courthouse Arts Center in Woodstock, Illinois 📸🎨
This photocollage series is part of an ongoing investigation into the body as self. Two of the three photographs were in gallery shows themed on the topics of women & gender, Art as Advocacy: Promoting Equity and Social Justice for Women (Illinois)and enGENDERing Change (Colorado).
This project addresses certain existential questions about the female
body, ranging from using the “selfie” format to photographing dementia.
Simone de Beauvoir speaks of “the strange ambiguity of existence made
body,” so this exploration hopes to address that ambiguity by exploring
the relationship between the viewer and the viewed, between the face and
the camera lens, the audience and the photograph. Each person who was
photographed was also struggling with an invisible disability. Issues of
the body and the self are compounded when that body is seen as a
betrayal, through the lens of body dysphoria, or as antagonistic to the
spirit. What is hidden v. what is shown is a theme that runs throughout
the work. What does it mean to be who you were before you were born?
What does it mean to have a female body? A disabled body? A body with a
familial lineage, within a societal context? We hope to address these
questions while remaining open-ended.
With its door slam heard around the world in 1879, Ibsen’s A Doll’s House
ignited a debate about what it means to be female and male. A
hundred-forty years later, our understanding of human identity goes well
beyond traditional ideas of gender and sexuality. This project examines
the past, explores the present, and celebrates a future where every
individual is empowered to live as their own authentic self.
enGENDERing Change features the award-winning new play A Doll’s House, Part 2,
a national juried art exhibition, and more! Combining the arts,
education, activism, and community engagement, our project affirms the
continuing need to fight for gender equity, to champion an individual’s
right to self-determination, and to foster the extraordinary diversity
which enriches our community.