Maternal Mitochondria has a new art show up with Vital Spaces arts organization! Located in the Midtown Annex, 1600 St. Michaels Drive, and available by appointment only (in order to ensure COVID-safe practices), What We Wrote on The Water is a video installation constructed from the poetry of borders, drumming in a dream, the scarce commodity of water in the desert, and gestures in ink. The installation will be available to experience from January 9th-February 8th, and there is no fee!
In a dark enclosed womb of space, the video projects over a large vase, filled with water. It features the Japanese art of suminagashi, spoken poetry, and percussive drums. The projection overlaps the glass, creating new shadows and reflections. This is an immersive experience, playing with materials such as ink and glass, and the metaphor of water as the unconscious mind.
What We Wrote on the Water explores the dialectical flow between creator and viewer, form and meaning, being both on the surface of the water and under it. The viewer leaves refreshed, having temporarily been elsewhere.
FOR APPOINTMENTS: From January 9th-February 8th, please call Isabel at 505-231-1922 or e-mail Miriam at firstname.lastname@example.org.
Maternal Mitochondria is a mother-daughter creative duo collaborating in Santa Fe. Miriam Sagan is a writer and Isabel Winson-Sagan is an interdisciplinary artist. Their bilingual video installation of suminagashi and poetry, Thresh/hold, premiered in an abandoned square grain silo at Studio Kura in Itoshima, Japan in 2018. They produced a poetry and suminagashi installation in Santa Fe’s Railyard Park with more than twenty participants, aged 4 to 80. The walking path at Santa Fe Skies RV Park on Route 14 is host to their Fairy Houses installation in recycled metal, which has had numerous visitors during the pandemic. For What We Wrote on the Water, they have also collaborated with local drummer Tim Brown.
As part of an initiative to shop local this holiday season, I am offering these pieces through the virtual “String of Lights” Holiday Market. I am a local artist in Santa Fe, utilizing a modern take on an old Japanese technique called suminagashi to craft unique, large-scale ink paintings. They are on archival paper and professionally framed. For any questions, please e-mail me at email@example.com, and check out the rest of my portfolio at www.isabelws.com!
I’m very pleased to be a part of this upcoming show at Axle Contemporary in Santa Fe!
Feminist Art in the Trump Era
juried by Lucy R. Lippard
September 11 – November 3
Feminist Art in the Trump Era is an exhibition of works by 27 New Mexico based artists that explore various feminist realities and rants. Works chosen for this exhibition from an open call to New Mexico based artists resonate with the hopefully soon- to-be-extinct Trump era. The exhibition will take place on the occasion of the 100 year anniversary of the 19th Amendment to the US Constitution and the 10 year anniversary of the founding of the Axle Contemporary mobile artspace.
In this time of social distancing, we’ve done several interviews! First is a Cline’s Corner interview with Miriam Sagan where she discusses our new fairy house installation, and second Miriam and Isabel were interviewed by Creative at the Wheel on feminism and their artistic collaboration. We hope you enjoy listening!
The second sculpture of the summer is completed! A companion piece to Scratch– TIAMAT, ancient Near Eastern goddess of primordial creation, goddess of where fresh water meets salt. Brought to you by the Maternal Mitochondria creative team.
“who invented the drawn outline 30,000 years ago
trees sketched by fire stand skeletal
you change your name as easily as I change my clothes
In 2017, the Maternal Mitochondria creative team went to Japan. There we saw so many kinds of spirit houses—from Shinto shrines to municipal pagodas to small portable altars. When we came home to New Mexico, we wanted to build our own.
The initial three fairy houses are open! (We hope to create a total of nine). Each is made of recycled metal. And each houses a poem that tells the tale of its denizens—the supernatural creatures who work and party in each.
The Cabin is lit up from within by the fire of the earth’s core. Brownie miners descend to seek riches in the earth.
The Cantina is a way station where fire foxes—messengers of the divine—can take a break from their delivery rounds and have a drink.
The Mushroom is a landing pad for winged pixies, even as it is part of the natural cycle of birth and decay.