The CURRENTS: Circuits New Media Festival is coming up! You can buy festival passes in advance by becoming a member for $5 a month. There will be A LOT to see this year, at 4 different sites across Santa Fe!
Maternal Mitochondria has been invited to be the featured artists for the month of May at the Southside library branch! Please join us for book arts, snacks, and secret poetry.
Lending Library of the Invisible—a book arts show
Maternal Mitochondria—Miriam Sagan & Isabel Winson-Sagan
6599 Jaguar Drive
Santa Fe, New Mexico
Opening—May 6, 4-6 pm
Show up till May 31, 2022
Artists will be in residence 11 am-1 pm on May 17 and May 24, 2022.
We hope to see you, even if Southside seems far away!
Come say hi, and help add to our interactive artwork,“What Am I Hiding and What Do I Hope For?,” which asks visitors to hang their own answers on sculptural trees or put them in slot boxes.
There will be grab and go snacks. And you can visit Southside’s Seed Library, bookstore, or even return those overdue books!
I will be a part of Foto Forum Santa Fe: Members’ Show this year, so come by and check it out! The reception will be on Friday February 4th, 5pm to 7pm.
(A triangle) Between me / G-d / and the water
Photos by Matt Morrow.
Miriam Sagan will be opening The Poetry Yard this year, an outside space where sculpture and poetry can be fully experienced. Here is a sneak peak at the first sculpture to go up- a permanent feature of the yard. Made entirely of recycled materials, this land art project helps direct rainfall by incorporating a dry pond. The sculpture’s relationship with the land may change over time- will the wood rot when exposed to water? Or will it remain an ever present reminder of fire and drought? As our climate changes, the sculpture may reflect that change on a local level. Along with the ambiguity and anxiety of climate change, “Desiccation: Dormancy: Deluge” brings up issues of human consumption and how different organisms feed. The sculpture takes inspiration from saprophytic fungi (mushrooms that consume dead wood) and the twin processes of parasitic and symbiotic growth. The plastic and dairy industries are an ambiguous two-edged sword- using unsustainable environmental practices while at the same time greatly expanding human access to food and vital resources. So the question is: how do we achieve a balance between human needs and biological destruction?
Desiccation: Dormancy: Deluge
(A triangle) Between me / G-d / and the water
I am currently in 2 shows that can be viewed online, with some other powerhouse work!
Through the Eye: Women in Photography with Womenswork.Art in Poughkeepsie, NY.
And a particularly exciting online show with Shaping the Figural Gaze.
ARTIST STATEMENT VIDEO
An online response to Bustes de Femmes –
“The Gagosian states that the selected group of “paintings, sculptures, and photographs on view demonstrate how the female figure has been reimagined and reconfigured by modern and contemporary artists of diverse backgrounds and traditions,” however, it features only 5 female-identifying artists out of 28 artists total. Of these 28 artists, a majority are white. This leads to an exhibit that not only is lacking in a diversity of backgrounds and traditions, but one that is also blatantly ignoring the conjunctions between race and gender.
Unfortunately, the exhibit put on by the Gagosian is only too representative of past and current norms surrounding the viewpoints society platforms for creation and consumption surrounding the figural.
We wish to counter Bustes de Femmes and the other of 1000s of exhibits like it, by presenting the works of femxle and queer identifying artists whose skill in figural portraiture demonstrates a diverse array of contemporary visions, sensitivities, and/or ideals, that usurp or unconventionally assume the traditional utilization of the male and/or dominant gazes. The goal is to address institutionalized gender roles and gendered racial stereotypes, and the subsequent sexism and racism perpetuated by them. This is in order to facilitate the interrogation and examination of the traditional motives and depictions of gender and sex, while proposing new or uncommon narratives. These ideas will be addressed from queer and femxle perspectives that are traditionally unheard from, in order to reimagine and reconstruct traditional racialized and gendered power structures upon which these institutionalized spaces were built and thrive. This is in order to combat the unequal ratio of queer and femxle art and perspectives that are being showcased within the museum and art worlds via institutions.”
While we do encourage you to visit the installation in person, that obviously is not possible for everyone, so we are making the video available for separate viewing. Please enjoy Maternal Mitochondria’s experimental video “What We Wrote on the Water”!
The installation is available by appointment in Santa Fe, NM until February 8th 2021. E-mail email@example.com or call 505-231-1922 to schedule a viewing.
Maternal Mitochondria has a new art show up with Vital Spaces arts organization! Located in the Midtown Annex, 1600 St. Michaels Drive, and available by appointment only (in order to ensure COVID-safe practices), What We Wrote on The Water is a video installation constructed from the poetry of borders, drumming in a dream, the scarce commodity of water in the desert, and gestures in ink. The installation will be available to experience from January 9th-February 8th, and there is no fee!
In a dark enclosed womb of space, the video projects over a large vase, filled with water. It features the Japanese art of suminagashi, spoken poetry, and percussive drums. The projection overlaps the glass, creating new shadows and reflections. This is an immersive experience, playing with materials such as ink and glass, and the metaphor of water as the unconscious mind.
What We Wrote on the Water explores the dialectical flow between creator and viewer, form and meaning, being both on the surface of the water and under it. The viewer leaves refreshed, having temporarily been elsewhere.
FOR APPOINTMENTS: From January 9th-February 8th, please call Isabel at 505-231-1922 or e-mail Miriam at firstname.lastname@example.org.
Maternal Mitochondria is a mother-daughter creative duo collaborating in Santa Fe. Miriam Sagan is a writer and Isabel Winson-Sagan is an interdisciplinary artist. Their bilingual video installation of suminagashi and poetry, Thresh/hold, premiered in an abandoned square grain silo at Studio Kura in Itoshima, Japan in 2018. They produced a poetry and suminagashi installation in Santa Fe’s Railyard Park with more than twenty participants, aged 4 to 80. The walking path at Santa Fe Skies RV Park on Route 14 is host to their Fairy Houses installation in recycled metal, which has had numerous visitors during the pandemic. For What We Wrote on the Water, they have also collaborated with local drummer Tim Brown.
I have book art sculptures and suminagashi prints at Grey Matter Float Spa for the month of November! Stop by for a sensory deprivation pod experience and some trippy art 🎨