When Maternal Mitochondria was asked by a gallery for an artist’s book, we did not have one on hand. Our work over the past year has been mostly ephemeral installation in public spaces. But we were intrigued. After all, we often combine suminagashi and text.
We are not traditional book artists so we decided to play with the form of a book– keeping the interactive and narrative elements, and evoking the sense of wonder that comes from opening a volume for the first time. A box, like a book, holds the unknown. Working with sculptural elements instead of a traditional printed book gave us the opportunity for the narrative to be carried through to the outside form, offering a tactile experience that serves as a link to memory.
The poem came first. It is 36 stanzas of linked verse, in the tradition of the Japanese renga. As a homage to its origins, the renga opens with our translation of Basho. In addition, this renga is divided into thematic sections which include travel, home, the Gothic, astronomy, and the seasons.
We wrote it collaboratively over a two day period, alternating stanzas or links. Each section of poetry responds to the previous one, both reflecting it and breaking away on its own. The sculptural element can be viewed as the first and last stanza in the poem, or even a kind of shadow that tags along, something that stays with the viewer while they are engaged with the text.
The text was then printed on to two decks of 18 cards each. The cards follow the poem, and include suminagashi done in the traditional approach with black ink.
The box is collaged with Japanese paper. It references boxes of cake found everywhere in Japanese train stations. The treat is taken home to share and the box serves as a memento.
The title “Souvenir” evokes both memory and immediacy. How do we perceive and express the moment? Can that expression also be what reminds us of where we’ve been?
The poem was written collaboratively by Miriam and Isabel. Concept by Miriam. Fabrication including printing, design, suminagashi, and collage by Isabel.
How fun!
this spring, again
the traveler’s song
-Basho
songbird’s tiny egg
in chicken yard
under a cactus
psychedelic desert
skull, gently resting
a lizard
on petrified wood
four planets
hang brightly at dusk—
red lampshade
the door propped open
crickets chirp in the moon
Milky Way
separates the lovers,
you take my hand
waiting for the dawn
on the roof, trespassing
children move rocks
in the arroyo,
chamisa blooms
wish upon a penny
an eyelash, a sidewalk crack
woman in white
stares at us through the window
glowing red eyes
the grownups won’t believe us—
pinky swearing our secret
river
wears the canyon down
as time does me
a mushroom peaks through the snow,
no fairy rings this time
vast caverns
the drip drip
of patient water
cracks run through the earth
like memories, like words
too hot too soon
we sleep with windows open,
edge of the bed
wedding guests
chat about divorce
love in Ohio
spring storms, trees and wires
litter the streets
gentle rain
open mouthed kiss
black dog
under the truck, shadow
in the shade
traveling across my land
coyotes eat the berries
snail
leave me some lettuce
please
a bull snake in the tree
is carefully relocated
is that
a woman wailing
or just the wind?
an old story
to scare bad children
a fox cooks udon
in mist, only the hungry
can find him
the witch’s house
turns on chicken legs
New Year’s day
everyone on the train
is going home
a single pink mochi cake
a celebration
the kami return
to the mountains,
cranes start flying
huddled in the kitchen
sustained by hot tea
a stranger
In a strange land
the rabbit’s ear twitches
car radios’ oldies
aren’t old enough for me
going nowhere fast
I feel limitless
who are you?
just another pilgrim
staff blooming in spring.
Photographs by Matthew Morrow
