The new Axle Contemporary show is live! Feminist Art in the Trump Era, curated by Lucy Lippard. All the work can be seen online and will also be showcased at Axle.
Sacred & Liturgical Art Exhibition
The Sacred & Liturgical Art Exhibition is still happening, although the dates have moved due to the pandemic. It is now running from September 4 – September 26! Thanks to the Springfield Art Association in Springfield, IL.
Feminist Art in the Trump Era
I’m very pleased to be a part of this upcoming show at Axle Contemporary in Santa Fe!
Feminist Art in the Trump Era
juried by Lucy R. Lippard
September 11 – November 3
Feminist Art in the Trump Era is an exhibition of works by 27 New Mexico based artists that explore various feminist realities and rants. Works chosen for this exhibition from an open call to New Mexico based artists resonate with the hopefully soon- to-be-extinct Trump era. The exhibition will take place on the occasion of the 100 year anniversary of the 19th Amendment to the US Constitution and the 10 year anniversary of the founding of the Axle Contemporary mobile artspace.
Interviews
In this time of social distancing, we’ve done several interviews! First is a Cline’s Corner interview with Miriam Sagan where she discusses our new fairy house installation, and second Miriam and Isabel were interviewed by Creative at the Wheel on feminism and their artistic collaboration. We hope you enjoy listening!
TIAMAT
The second sculpture of the summer is completed! A companion piece to Scratch– TIAMAT, ancient Near Eastern goddess of primordial creation, goddess of where fresh water meets salt. Brought to you by the Maternal Mitochondria creative team.
“who invented
the drawn outline
30,000 years ago
trees sketched by fire
stand skeletal
you change your name
as easily
as I change my clothes
one moment—City
the next—Chaos”
-Miriam Sagan
Fairy Houses
In 2017, the Maternal Mitochondria creative team went to Japan. There we saw so many kinds of spirit houses—from Shinto shrines to municipal pagodas to small portable altars. When we came home to New Mexico, we wanted to build our own.
The initial three fairy houses are open! (We hope to create a total of nine). Each is made of recycled metal. And each houses a poem that tells the tale of its denizens—the supernatural creatures who work and party in each.
The Cabin is lit up from within by the fire of the earth’s core. Brownie miners descend to seek riches in the earth.
The Cantina is a way station where fire foxes—messengers of the divine—can take a break from their delivery rounds and have a drink.
The Mushroom is a landing pad for winged pixies, even as it is part of the natural cycle of birth and decay.
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Forest Fire
Forest Fire, assemblage in a matchbox, 2020
In the aspen forests of New Mexico, fire is necessary for survival. Without forest fires the aspen trees won’t flourish. They’re a link between life and destruction, change and death. Of course, with the ramping up of climate change, fires in the Southwest are also terrifying and will probably become more frequent due to water scarcity and a hotter climate.
With the addition of photography using the readymade of a woman’s body, ideas of inside/outside, the destructive and nurturing behavior of humans, and the container of “femaleness” are all issues being raised.
“Forest Fire,” assemblage in a matchbox, 2020
“Forest Fire,” assemblage in a matchbox, 2020
“Forest Fire,” assemblage in a matchbox, 2020
