Feminist Art in the Trump Era

I’m very pleased to be a part of this upcoming show at Axle Contemporary in Santa Fe!

Feminist Art in the Trump Era

juried by Lucy R. Lippard

September 11 – November 3

Feminist Art in the Trump Era is an exhibition of works by 27 New Mexico based artists that explore various feminist realities and rants. Works chosen for this exhibition from an open call to New Mexico based artists resonate with the hopefully soon- to-be-extinct Trump era. The exhibition will take place on the occasion of the 100 year anniversary of the 19th Amendment to the US Constitution and the 10 year anniversary of the founding of the Axle Contemporary mobile artspace.

Sacred Art

These Kohen Hands will be available for purchase through the Springfield Art Association for the 2020 Liturgical and Sacred Art Festival in Springfield, IL, which runs from March 28th through April 25th.

This sculpture is hand carved from basswood and sits on a cherry base. It is an homage to the lost art of Eastern European Jewish woodcarving, a cultural heritage which was destroyed in the pograms and Shoah. Kohen hands are considered to be a priestly blessing in Judaism.

Please contact the gallery directly if you are interested in purchasing.

Upcoming Shows

My “Original Face” photography series will be in 3 shows this spring: On the Edge with Art League Rhode Island, Eros and Thanatos with Buckham Gallery in Flint, MI, and Women’s Works at the Old Courthouse Arts Center in Woodstock, Illinois 📸🎨

On The Edge: An Open International Juried Photography Exhibition

Original Face

This photocollage series is part of an ongoing investigation into the body as self. Two of the three photographs were in gallery shows themed on the topics of women & gender, Art as Advocacy: Promoting Equity and Social Justice for Women (Illinois) and enGENDERing Change (Colorado).

Project statement-

This project addresses certain existential questions about the female
body, ranging from using the “selfie” format to photographing dementia.
Simone de Beauvoir speaks of “the strange ambiguity of existence made
body,” so this exploration hopes to address that ambiguity by exploring
the relationship between the viewer and the viewed, between the face and
the camera lens, the audience and the photograph. Each person who was
photographed was also struggling with an invisible disability. Issues of
the body and the self are compounded when that body is seen as a
betrayal, through the lens of body dysphoria, or as antagonistic to the
spirit. What is hidden v. what is shown is a theme that runs throughout
the work. What does it mean to be who you were before you were born?
What does it mean to have a female body? A disabled body? A body with a
familial lineage, within a societal context? We hope to address these
questions while remaining open-ended.

black fire white fire

amphora

when God made me, He made me broken